Penelope wrote:
Well he seems very pompous when he is interviewed and so I think that's what makes him so funny.
John Cleese has suffered terribly with depression and so I think that is perhaps what makes him such a comic genius.
I think there is little doubt that the tensions and conflicts in John Cleese's character, especially his apparently pompous nature, contribute greatly to his humour. When he gets really wound up about something, one of his trademark comedic moments, the energy he finds and the intensity of that energy I would guess is drawn from inner tension and conflict.
Returning to the Pollock blog that opened this thread, I really like the closing line,
"Just as a probability distribution is not an accomplishment, a policy preference is not a part of who you are."
Identity and identity politics does have that rather scary element of herd-mentality where people can easily be swayed toward membership in a group because one opening idea is attractive and this creates a door to walk through without the necessity of examining the other ideas that are present and make up the packaga. Once through the door the social pressure to conform and to follow the leader can be heavy-duty and so the chances of real, objective examination become less and less. I think this can become mixed up with one's identity.
There is a considerable difference between saying "I'm a Republican", "I'm a member of the Republican party" and "I agree with some aspects of the Republican platform" ... a continuum from identity politics to open political thought and engagement.
In some ways, this notion of 'holding beliefs at arms length' is akin to the reverse notion, that is, 'to suspend disbelief'. This is a common enough notion that we should not confront a new idea with absolute scepticism and give it at least some consideration. In both cases, the belief factor (positive of negative) is seen as an impediment to clear thinking about the matter at hand (or any thinking).